Sunday, November 30, 2014

Ok, Yeesh, I'm On It...

Fine, fine, yeah, I'm on it.

But really, what's there to say?

"There has been an awakening. Have you felt it?"

Lots of theorizing about whose voice this is. I want it to be Max von Sydow, who's supposed to be in this movie. I want to see him be the villain and go all Ming-the-Merciless on the Star Wars universe. Why not? After all, there's a direct line between Flash Gordon and Star Wars.

Then we get freaked-out Stormtrooper. My favorite explanation for him is that he got separated from his squad when he ducked behind a dune and did some Tatooine peyote.

But seriously, clearly not a clone of any Fet we've ever met. Is he a crashed Tie-pilot? A Stormtrooper who's gone AWOL? A Republican in disguise? (The Rebels won, right? So shouldn't there be a new republic? If that's the case, shouldn't the folks who used to be Rebels now be Republicans?) (Oh, and no, that's not a political statement, though now that I go back and read that, I can see why they absolutely won't be called Republicans. >.< Just so long as they're not called Rebels because that implies they still have something to rebel against. Unless, of course, they do, but that would feel both extremely lazy on the parts of the writers and undercutting the victory at the end of Jedi.)

And, ever so faintly, at about 0:25, you can hear the sounds of an imperial probe droid, sounding exactly like the one that Han and Chewie killed on Hoth. Is he being hunted by someone?

Cute soccer droid! Seriously, if you needed any indication that international bank was vital to the success of movies, this is it. R2-D2 has been turned into a soccer ball. Though even making worried boop-beep-boop noises doesn't save this from totally undercutting the tension the music is trying to build.

Happy Stormtroopers! So clearly, somebody's not just using the old symbology and Imperial look-and-feel, but has been improving on it as well: new armor, new assault blasters (with noticeably bigger scopes; can these guys hit what they're shooting at?). So either:

A) the Empire's still alive and well, either in pockets or is actually still calling the shots in most of the galaxy, in spite of the death of Palpatine and the destruction of much of their fleet at the Battle of Endor.

B) or somebody's attempting to resurrect it. This is the less lazy option, honestly, but the more difficult to pull off.

Cute scavenger girl! Her goggles, apparently, are fashioned from the lenses of an original-trilogy era Stormtrooper visor. Her ride looks a lot like Luke's at the beginning of New Hope turned on its side. And if you freeze the screen at 0:39, you'll see, strapped to the side of her ride, what looks like a lightsaber on the end of a long pole. The link between samurai and jedi has been made repeatedly. Is this a jedi version of the traditional weapon of the onna-bugeisha, the naginata?

As she takes off, you hear more lovely Star Wars engine sounds. The Star Wars universe has probably one of the most recognizable soundscapes out there, and the new crew appears to be milking it for all its worth.

Have you noticed how long the pauses of black screen are? They're just a touch too long, to induce you to sit forward impatiently while you wait for the next scene.

X-wings! Our pilot looks clean-shaven, but his helmet has those scratches and dings we associate with the Star Wars universe. (Though, arguably, it should look nicer and cleaner because the Rebellion won. Didn't it?) Hot-dogging x-wings coming low over a lake. The only planet we've seen so far that looks like this is Naboo. Why so low? Training exercise? Attempting to come in below someone's radar?

If you look closely, you can tell that these are not duplicates of the x-wings Luke flew. The engines appear to be solid to the body, with the folding wings stretching out from them. Some have suggested these are closer in design to Ralph McQuarrie's concept art.

Oops! AWOL scene from Game of Thrones! Seriously, cloaked dude in a snowy wood? Is winter coming? "The Dark Side... and the Light."

And here we get what's become the most controversial bit of the trailer: the cruciform lightsaber.

Only, I'm not sure this is a lightsaber. Oh, sure, it's a laser-sword of some sort, but notice the sound is off? That it sputters and flickers more? That the blade is longer and thinner? It looks like a cheap knock-off of a lightsaber, honestly.

Since the original series, there's been a huge revival in what folks are calling the Western Martial Arts, mostly involving the swordfighting techniques of Western Europe. It would be cool to see some of that in a Star Wars movie.

That said, a lot of longsword play had you grabbing the blade for leverage, or to bash people with the quillions. While these quillions look pretty deadly, grabbing the blade looks like a good way to lose your fingers. Maybe this crossguard is simply the logical response to the Skywalker penchant for cutting people's hands off?

WOOHOO! The music, the Falcon, the getting-dizzy-in-your-seat barnstorming, the howl-and-rattle of attacking tie fighters. Fans over the age of 30 just got hooked; we're gonna see this thing no matter what else you tell us about it. :p

Seriously, the Falcon looks great, and it's fun to see it rolling and swooping over the sands to launch head-first into the ties.

Que title, que date, fade to black and give us a lightsaber sound. Seriously? Why end with that? Weird...

But there you go. So far, they've proven they've gotten the basics down. If this trailer's any indication, The Force Awakens will look and sound like a Star Wars movie. Well done to everyone involved. I'm very much looking forward to seeing more.

Saturday, October 18, 2014

The Great Purge

Lo, as was promised in days of yore, it has begun!

If you'll look at my blog list, you'll see it's noticeably shorter. It's not as short as I expected it to be, but some blogs got whacked. Most got whacked because they're not even there anymore, which is annoying, but what can you do? Others because they haven't updated in over a month or...

Well, to be blunt, this is my blog list and represents blogs I find interesting. So with some, they changed their formats or topics. The Nerdy Girl's Game Blog is now Amber By Design. It's a neat crafts & cooking website, but not really the sort of thing I associate with Trollsmyth. With others, I drifted away from them.

Others haven't been updated in years, but they're still here because I still find them useful (like the wonderful Hamsterish Hoard and How to Start a Revolution), or I've linked to them a lot or I find them of historical interest and value (like Grognardia). Such blogs will likely always have a spot on my blog list for so long as they remain up.

Next step: adding new blogs. I'm still soliciting suggestions, so if you don't see one you think you should, let me know!

Saturday, October 11, 2014

"He'll Save Every One of Us!"

The RPGPundit, in his infinite wisdom, has chosen to save the OSR from unmitigated disaster. In order to prevent “the enemies” of the OSR from defining it, he has chosen to define it for us, thus locking the OSR in amber, preserving it for all time. His definition is as follows:

OSR: a design philosophy of creating systems, settings and adventures that fit within the boundaries of old-school mechanics and concepts; that is, either directly utilizing features that were in existence in the period before the advent of 2nd edition AD&D; or features that, in spite of not having historically existed at that time, could have existed in that period without the addition of material or design concepts that are clearly the product of subsequent ideas or later theories.


So try this experiment yourself: get up from your computer and walk to your kitchen/office breakroom/coffee shop counter. Get yourself a drink. Now, before you return to your computer, recite RPGPundit's definition.

How much were you able to remember?

How many of you were unable to actually finish reading it before it turned into the mwah-mwah-mwah noises of an adult in a Peanuts cartoon?

I understand what RPGPundit is trying to do here. For the lists and tourneys of the message boards he adores so much, I suppose that definition would serve fairly well. (Looks a touch too broad in concept to me, while also assuming there’s a significant mechanical difference between 1e and 2e that I don’t think he’ll get much support on. But meh…)

You want an actually useful definition of the OSR? Here’s one:
Rulings, not rules.

Now, RPGPundit is going to hate this definition with a purple passion. It’s absolutely useless in a joust with the likes of Ron Edwards. It does nothing to fence “the swine” from the OSR or prevent them from claiming bits of it as their own. And it easily supports a meme of the OSR as a system in which DMs abuse their players.

But you know what? At a quarter-after-midnight, after a grueling but triumphant 4+ hour DMing session, when you’re talking to someone in the parking lot of your favorite gaming store, you’ll remember it.

And when you lay it down, it’ll actually mean something to the person you told it to. And they’ll be able to tell, instantly, whether or not your game is the sort of game they’d like to join in on.

Because that, ladies and gents, is what it’s all about. That’s how the OSR rose to the victorious heights it enjoys today.

And don’t make any mistake about it, folks. The triumph of the OSR is all around you. You can see it in the re-release of the 1e core books in collectable hardbacks (with a portion of the proceeds going to a Gygax memorial fund). You can see it in WotC using The Caves of Chaos in their public playtesting materials. You can see it in the boxed sets of the Dragon Age and Doctor Who RPGs. You can see it in Monte Cook’s Numenera core book, where he writes:

Numenera is a game about ideas, not rules. The rules are meant to be a framework upon which to hang the tapestry of the story you and the players create.

You can see it in the latest adventure path for the Pathfinder Game (a true rival if the OSR has one) being a loving homage to Expedition to the Barrier Peaks. And most of all, you can see it in the games people are actually playing.

And how did the OSR achieve this triumph? As much respect as I have for the research and historical perspective offered by folks like Maliszewski, the truth is, we did it by doing fun things and getting excited about them. We built our megadungeons and published them on our blogs and shared death-counts (both those of monsters and PCs) as they were explored. We went through every monster in the 2e Monstrous Manual and brainstormed hundreds of awesome, crazy, and silly ideas. We applauded Jeff Reints when he described our style as Retro-stupid and thrilled to the zany joys of Encounter Critical and spidergoats. We started magazines because magazines are cool and we published boxed sets because boxed sets are cool and we hold contests of all sorts and do blind Christmas exchanges and share our settings and get excited about new adventures and kick-starters because these things make our games more fun. We read about the open-table, nomadic PC play styles of the ‘70s and said, “That looks like fun!” and started Flailsnails. We embraced the “lawn crapper” heavy-metal trappings of Raggi. We have no shits to give about Zak and his face-to-face group’s nine-to-five, or what it says about women in gaming or blah-blah-blah because what they do at the table is freaking amazing and cool and is fun.

We are frikken’ gamers who frikken’ game and have a great time doing it.

And that is incredibly contagious.

People want a piece of our action because our action is a great way to spend three to nine hours. We don’t gaze at our navels, fretting about 30 minutes of fun, brain damage, or what our games say about society. We fill our time with fun things, hang out with cool people, and create amazing memories.

Who wouldn’t want to be a part of that? And, having that, who’d want to waste time worrying about what Ron Edwards thinks?

Thursday, October 09, 2014

Dragon Age: Origins First Impressions

Yeah, I’m really that behind in the world of computer RPGs. >.<

That’s mostly because I was spoiled by Ultimas IV and V in my youth. I got to play a game where the NPCs had lives of their own that didn’t revolve around me and my quest. I played a game that didn’t constantly lie to me about how “urgent” a quest was, and then punish me if I avoided side-quests in order to complete the main quest as quickly as possible. I played a game where you actually had real multiple paths to success and taking everything that wasn’t nailed down was recognized as theft.

Damn kids these days need to stay offa my lawn…

Anyway, I’ve heard tons of good stuff about BioWare’s CRPGs and EA is offering DA: Origins for free, so I figured out check it out. I’ve enjoyed BioWare’s other offerings in the past, most especially Neverwinter Nights. But I’ve cooled on the whole genre over the years.

The big issue, honestly, is that combat-as-puzzle doesn’t really hold my interest, especially when it’s real-time. And most especially when…

Ok, so I choose a mage and I do their Harrowing tutorial, which was a neat way to do a tutorial, even if I did have to ask a lot of questions like I’d slept through every class at the Tower. But after that? My next big quest is pest-control: clearing the storage caves of spiders. Ok, they’re giant spiders, but still…

And just to make it worse, I’m also looting the place. In a real, living world, this would be theft, or possibly even embezzlement. In a computer RPG, stealing everything that’s not nailed down, no matter where it is, is Tuesday.

And then there’s the interface. The things I need to know about my characters are far away from them, way off in the corners. I’m not watching the cool combat animations because my eyes are glued to the spell cool-down timers. Even with one character I’m hitting the space-bar multiple times in combat; once I’ve got a large party I’m really going to be wondering why this thing isn’t turn-based.

There’s supposed to be a “tactics” system that’s supposed to jump in when certain conditions are met, but so far it doesn’t appear to be working. I imagine there’s some sort of box I haven’t checked somewhere to do that. Or it does less than I think it does or only works randomly?

So yeah, so far, not terribly impressed. I’m mildly intrigued by the story. Part of that is because I suspect I’m coming at it from a place that’s very different from where I think most players default. Sure, yes, the magi are being treated poorly and oppressed. But neighbor, I’ve walked the streets of Mordheim and I know what happens when the horrors in the universe next door get their pseudopods on a juicy mage to use as a gateway. No, I’m not helping you abscond with your priestess girlfriend, and the reason you’ve not been tapped to experience the Harrowing is because you’ve already failed!

(If you help that guy and don’t end up fighting him as a demon-possessed horror later in the game, the writers should have their knuckles rapped by a fire giant. Seriously!)

Friday, October 03, 2014

The Oldest War

Human beings are a disease, a cancer of this planet. You're a plague and we are the cure.
- Agent Smith

The Manual, however, has a schtick which suggests being unable to breath air is just a disease transmitted as a side effect of being near the aboleth-- which I like very much. I also decided that it drains color out of nearby fish.
- Zak Smith

There are those, learned and respected scholars all, who will tell you that the first Great War was fought between the lizard folk and the serpent folk who were the gods of the Yuan-ti. They spend much of their time combating their minority colleagues who insist, no, the first Great War was fought between the aarakocra and the thri-kreen. Neither side does much more than emit scoffing laughs (laced with a disturbing sense of directionless embarrassment) when the wild-eyed and unkempt seers speak of even older things.

In the mind’s eye of poets and madmen dance a race of children. These children dwell in the happy spring of our world, cavorting and making as they dance and sing. Since this world is all they know, they name their mother the All-mother, and they name our world All Creation. And they shape the beginnings of our world with all the love, curiosity, enthusiasm, and vicious tyranny of children in the nursery.

And then something from Outside came. To say it invaded is to imply agency and choice. To say it tumbled implies it was pushed or tripped. So lets just say it came.

It was utterly inimical to the games and songs and dances of the Children. Their voices quavered in its presence, their gardens wilted, their games went all sideways. They couldn’t even speak with it, and its utterly alien ways went beyond uncouth, beyond creepy. It was utterly abominable.

And, by its very presence, it warped things. It didn’t so much spawn as twist things already in the nursery world and remake them in its image, to fit its idea of what nursery ought to be. It was, to the minds of the Children, the ultimate theft of their toys.

And this they could not stand. They made war against it. They tried to burn it with fire and freeze it with ice. They sang at it and they threw stones at it. But everything that touched it warped and became part if its corruption of the world.

Even worse, its corruption was infectious. The Children built an army, a massive collection of soldiers, all unified in purpose and of one single mind. At the first touch of it, a wave of instability passed through the entire army. The Children were forced to destroy their soldiers before they became a tool of their enemy.

Their next army was far more clever. Each was not just a unique individual, but misanthropic as well. Each individual specimen was a singular army in itself, armed with every clever weapon the Children could devise, it eschewed the company of all others, and most especially those like itself. Thus, should one fall to corruption, the others would be unmoved.

We call the by-blows of these warriors of the Children beholders. And, in the end, they murdered their creators, whom they considered just as repellent and horrible as the enemy they were created to destroy.

The beholders also won the war against it. They created an army of their own, an army of raw chemical hunger that sought only to dissolve everything, rendering it into fuel to grow itself. We know the remnants of this army as the various slimes, oozes, puddings, and gelatins that still lurk in the dark places.

So it was defeated, but the corruption it left behind was not undone. For, you see, the Children were right about their mother. She was also the mother of it. And it was a daydream, a fantasy of children-that-might-have-been, and its very presence implied into being the nursery-that-could-have-been-if-only…

And you can still find those echoes of its existence in the aboleth, and in the twistings of our own mortal shells that we call the illithid, and in similar horrors that do not belong and are not right. And we rightly recoil in horror and destroy to the utmost these terrible children of the Mother Of Us All. For their continued existence whispers in our heart-of-hearts that Mother loves them more than us.

Monday, September 22, 2014

Addendum to my Review of 5e's MM

There are a few bits of coolness in 5e’s MM I forgot to mention yesterday. First are lairs. Many monsters has a special “lair actions.” These special actions don’t count towards the usual limit of actions a monster has and happen on initiative count 20 (though after any tying initiatives). Most are just extra attacks:

A cloud of swarming insects fills a 20-foot-radius sphere centered on a point the [black] dragon chooses… Any creature in the cloud when it appears must make… a DC15 Constitution saving throw, taking 10 (3d6) piercing damage on a failed save...

A lot also knock people prone. Many are clearly designed to give a single monster a fighting chance against the focused alpha strikes PCs will (wisely) unleash against “legendary” monsters. Some are suitably creepy and atmospheric, such as eyes opening on solid surfaces in a beholder’s lair to fire off an extra eye-ray attack, or walls suddenly sprouting “grasping appendages.”

These legendary monsters also create “regional effects.” These are very similar to the sorts of things that precede the attacks of the dragons or the arrival of the monsters in Raphael Chandler’s Teratic Tome. These range from the atmospheric to the mechanical. Some look fairly lame on the surface of things: the first time you enter a demi-lich’s lair you take 16 points of necrotic damage, a sum that will certainly keep out the riff-raff, but barely serves to slow down a party of adventurers over 4th level. On the other end of things, they can make otherwise mundane encounters far more interesting. For instance, the terrain around a blue dragon’s lair can develope dangerous hidden sinkholes. Rodents and birds within a mile of a green dragon’s lair serve as its eyes and ears. Kraken can control the weather within 6 miles of their lairs.

These are both cool ideas and, frankly, I wouldn’t object to extending them to more monsters than got them. Those of you who enjoy playing with mythic-underworld dungeons might even want to come up with lists for orcs, goblins, and similar humanoid manifestations of the evil that lurks where the sun never reaches.

Sunday, September 21, 2014

5e's Monster of a Manual

It’s thick; at 352 pages it’s just noticeably thicker than the the PHB. And it’s full of monsters! (I know: shock and surprise.)

All the standards are represented: dragons both metallic and chromatic (but not gem), giants from hill to storm (plus ettins and formorian), goblinoids from kobold to bugbear, orcs, gnolls, skeletons and zombies and wraiths and vampires, elementals, genies, angels, devils, demons, slaad (and yugoloths!), non-insecty lamia and snakes-made-of-water weirds.

It appears the authors have defaulted to older versions of monsters, as exemplified by the lamia (a move in the right direction) and the water weird (which wasn’t so much). With incubi/succubi, they split the difference and separated them from both devils and demons, making them the independent contractors of the nether-realms.

There are also numerous quotes in the margins referencing classic D&D stuff. Count Strahd, Emirikol the Chaotic, the Temple of Elemental Evil, Acererak, Iggwilv, House Orien (from Eberron), and Undermountain all get shout-outs in the margin notes.

Modrons up to the pentadrone are in the book. The classic demon lords are named and briefly described, but not statted. Beyond Asmodeus, the devils don’t get nearly so much attention (and the hierarchy appears to be the one described in Cook’s Book of Vile Darkness, with Geryon, Malagard, and Moloch all deposed).

It’s not quite the 2e Monstrous Manual. Most creatures get a full-page write-up, but a lot more of that page is taken up with art and the stat block. Still, we do get a few interesting tidbits about each critter, though there’s some blatant padding as well, such as being told multiple times in the aboleth entry about how they remember being defeated by the gods in ancient times. If you’ve got a copy of the 2e book, keep it handy; it remains the best source of monster-based inspiration-fuel yet for D&D.

There are some rather interesting back-and-forth call outs from one monster to another. There’s an intriguing triangle developed between the efreet, salamanders, and the azer, for instance. Graz’zt gets mentioned a lot. Don’t be surprised if he’s central to the plot in organized play in 2015.

There’s a surprising number of monsters that don’t actually die when killed. In addition to vampires, demons, devils, and similar that we expect that sort of behavior from, rakshasa and naga also come back after being slain. Expect to see these as lieutenants and Big Bads that show up later in a chain of adventures, bearing a grudge and with more friends to put the hurt on the PCs.

Like the PHB, the art is very much a mixed bag. Also like the PHB, some of the best stuff is the environmental pieces. Among the best creature illustrations are the hunting pseudodragon, the trippy myconids, the colorful adult salamander, the disturbing piercer, and the amazing harpy.

Unlike the PHB, there’s a distinct lack of multiculturalism in the book. Most of the monsters, especially the humanoids, are wearing tamer versions of 3e’s dungeon-punk stylings, with more restrained bandage-wrappings and shorter spikes on their pauldrons. Even the monsters that you’d expect to be flaunting exotic cultural trappings, like the oni and kenku (who’ve lost all traces of their hawkish beginnings and are now fully crow-ish) look decidedly plain in their simple tunics and hoods and robes.

There’s an annoying amount of soft focus, sometimes taken to extremes. The picture that opens the drow entry is so soft-focused you can barely make out the figures, and facial-features are non-existent. It’s a technique whose time has come, gone, and seriously needs to be retired.

Some critters have small black-and-white studies accompanying their full-color art, and there’s never been a better example of how ubiquitous color has not improved RPG books. The black-and-white sketches are nearly universally superior to their color brethren in life, creativity, detail and playfulness. See especially the delightful running otyugh at the bottom of page 8 for an excellent example of what I mean.

The organization is more than a little puzzling, and I suspect it was done more with an eye towards making things easy for the layout team than it was with making things easier for the DM. Each entry is divided into two parts: a write-up that’s well organized into useful paragraphs summed up with a quick phrase in bold letters and a stat-block. So far, this is great, and works really well for most monsters. Things get a bit wonky, however, when you get a monster type that includes lots of individual critters. In that case, the written descriptions are grouped together and then the stat-blocks and illustrations are grouped together. This puts the werewolf’s written description on page 207 and its stat-block on page 211. The worst offender might be the erinyes, with five pages between the description and the stat-block.

Things really fall apart with Appendix A: Miscellaneous Creatures. What’s in Appendix A? We are told:

This appendix contains statistics for various animals, vermin, and other critters. The stat blocks are organized alphabetically by creature name.

So what’s actually there? Lots of normal animals, giant animals and a weirdly random smattering of classic monsters like blink dogs, winter wolves, blood hawks, flying snakes, phase spiders, and worgs. Plus, the sea horse.

Yes, the sea horse. Since it’s listed as being a “tiny beast” I assume they mean the little curl-tailed critter, and not some fabulous combination of fish and equine. Why is it there? Damned if I know. (Is summoning a single sea horse part of some druid spell?)

But wait, it gets worse, because these creatures are listed in alphabetical order and not by creature type. This means the giant constrictor snake is next to the giant crab and nowhere near the giant poisonous snake. The giant spider is on page 328, the giant wolf spider is on page 330, the phase spider is on page 334, and the just-plain spider is on page 337. If you’re building a spider-themed dungeon and just want a full list of all the spiders, sorry buddy, you’re SOL. Even the index in the back lists them alphabetically, which means if you don’t know to look for the giant wolf spider, you’re likely to miss it entirely. Nor are there any wandering encounter tables from which you could crib a list.

In short, Appendix A appears to be a collection of critters they wanted to include stats for but didn’t want to do full-page writeups on. A few get art. For the most part, all you get is the stat-block, with four to five critters on each page. It’s a mess, and unless you know exactly what you’re looking for, good luck finding anything.

It nearly ruins the whole thing for me. If I didn’t have a group of 5e players very much enjoying the game described in the PHB, the MM might have soured me to 5e. As a DM who often builds adventures by flipping through the MM for inspiration, this mess is going to prove deeply suboptimal. Still, much can be salvaged by publishing a horde of good, themed random encounter tables, lists of monsters by challenge rating (there’s none in the MM), and a better organized index.

ADDENDUM: First, I forgot to talk about two bits of coolness in MM, which are lair powers and environmental effects from the monsters themselves. I rectify that in another post.

Second, WotC has published a PDF version of the index of monsters by challenge rating. This is good to see, and would be great if they included the page number these critters appear on in the MM. This list is from the upcoming DMG.